The people’s feet were pattering down the street in a strange rhythm….like rain pattering on a roof. The sights and sounds were amazingly, startlingly beautiful. With the glittering beauty of the sun being reflected thousands… More
Hey there, lovelies! I have a confession. I….am a closet fanfiction reader. Well, sorta. Only a few of my friends know that I read fanfiction. Actually, very few of them even know what fanfiction is.
For too long now, there has been a weird taboo around the concept of fanfiction. For those of you who are unfamiliar with it, fanfiction is basically exactly what it sounds like: fiction written by fans based on popular works, including books, movies, television shows, or any other form of media. There are plenty of places people go to for write and read content on the web, including the Internet staple Fanfiction.net , Tumblr, LiveJournal, and Archive of Our Own (basically a third parent to me growing up).
Many of us fanfiction devourers are ashamed of admitting that we enjoy this kind of stories for fear that we will be judged or ridiculed by others, as some of those who are familiar with the term think that it’s only about fictional characters getting it on, which is only half-true. This kind of thinking is absolute shit and is the reason why extraterrestrials refuse to visit our planet (probably). We need to change this and encourage more people (especially young adults) to read and write more fanfiction, and here are some of the reasons why.
1.You can read fix-it stories.
If your favorite character dies or gets abducted by tutu-wearing space monkeys or whatever, you will naturally want to change that character’s fate, but it’s not like you can harass the creator of the show/movie/book on Twitter to make them do what you want. Well, technically you can, but please don’t do that. The world is already full of assholes as it is. What you can do instead is to search for fan-made stories where the character is alive and not held by extraterrestrial prima(te) ballerinas—unless you’re the only one who cares about that character, in which case you’re screwed.
2.You can read about your favorite pairing.
Whichever pairing you ship, whether they be popular or, uh…..peculiar, chances are there are a couple of (or more than 50 thousand) stories about them that you can find on AO3 alone. Want to read about Harry Potter and Draco Malfoy getting creative with their wands? Go ahead. In the mood for some Mycroft Holmes/umbrella? Here at my Treasure Trove, I don’t judge.
3.You can find your favorite characters in another universe.
Admit it, at least once in your life, you’ve dreamed of being transported to another universe, a universe that exists only in fiction: Hogwarts, Middle-earth, Narnia, the Capitol, you name it. As scientists have yet to invent a device that would enable us to do so, we are stuck here in our own. Sigh! There are multitudes of stories with reader inserts in them. Where you, the reader are a part of your favorite universe. Or the very opposite. Your favorite characters in a whole new universe. For example, we can find Harry Potter stories set in a world where all the characters are present and Lily and James Potter never died and everyone is living happily ever after. How utterly perfect.
Sometimes, when two or more fandoms love each other very, very much, they have wild, passionate sex and a crossover is formed from their unholy union. The Doctor meets Sherlock!? Derek and Stiles with Dean and Cas!? A Brave meets How To Train Your Dragon movie? An everything crossover with Harry Potter!? *grabby hands* Sign me the heck up!
5. “Oh, you read fanfiction?Isn’t that basically a bunch of porn and stuff?”
Before Fifty Shades was even a thing, this was an assumption I heard often. It’s true that there is plenty of adult fanfiction material online, and there’s nothing wrong with that. For the most part, the mature content is clearly marked, so for any readers who start out young like I did, it’s pretty hard to accidentally stumble on. And are we really going to sit around and shame writers for writing about sex? We don’t bat an eye when it’s in a published novel, but for some reason people wig out when it’s free on the internet.
But growing up, this was a weird accusation to have thrown at me. For Christ’s sake, I was 13 the first time someone brought this up. I didn’t really even know what he was talking about, and I was embarrassed into silence for the next eight years. At that age, I clearly was not on there to write or read porn. A lot of us are on there to create works with genuine plots.
And yes, many works with plots have sex in them, because surprise! Sex is a part of life. Yeesh.
6.“But you don’t do weird stuff like ship two guy characters together, right?”
Dude. C’mon! THIS IS 2017. It’s embarrassing that we live in a society so unprogressive that people think it’s “weird” to explore sexualities between characters of the same gender, or any kind of sexuality, for that matter. I refuse to answer this question regardless of what characters I ship, because I feel like it comes from a place of ignorance. And so what if my major OTP is gay. It shouldn’t matter in this day and age.
7. “Don’t you want to read actual books?”
Yeah, and I do. Just because they are FANfictions doesn’t mean they aren’t proper books. They are for all those readers who are as ridiculously passionate about something as we are. When an obsession runs this deep and your friends and family know nothing about the topic, you have to find some other way to spill out all the insanity inside you, or else it’s going to start leaking into every day conversations (and I’m pretty sure nobody wants to hear me rant about the misrepresentation of female characters in comic book movies for the seventieth time at the dinner table.)
It’s still reading.
No matter what you read—a novel, a poem, a fanfiction piece—it’s still reading, so when you read fanfiction, you get all the benefits of reading, plus all the things I’ve mentioned above. Who cares if what you’re reading is not a “real book”? Who cares if it’s not written by a “real author”? As long as you’re enjoying what you’re reading, continue doing so.
Never apologize for what you’re reading. Life is too short for that.
Your-friendly neighborhood reader,
P.S. This rant originated from a true story. At my college today, I found a girl who was reading one of my favorite books. Discussion ended up at fanfiction and she was so totally against it! This is for her.
P.P.S. If you agree with these points and totally agree with them being a fanfic devourer yourself, feel free to share your experiences down in the comments below! Give this post a like for more such content and I will speak to you soon! Ciao lovelies!!
Guys! I finally found him. I have dreamed about this all my life. And finally finally discovering him felt absolutely surreal. Zeebee’s mind was totally blown, I tell you! I finally (finally!) found…………my favorite author!
Hey…..You were all fooled there for a second, weren’t’cha?? (Although the title did say review…) I recently picked up a book by Haruki Murakami at a nearby book fair. Since one of my reader friends waxes poetic about him, so I thought well, why not? And thus, I will be forever be thankful to UJ for her great advice. It was the book, Norwegian Wood by Haruki Murakami. Go read it, guys!
Here are just a few reasons why Haruki Murakami is so great:
1. Natsukashii – master of nostalgia
Japanese writers are masters of nostalgia. I don’t know why or how this originated but we can see that nostalgia is a core part of Japanese culture. One of the most common Japanese words, one that you will hear every day in Japan, is Natsukashii or 懐かしい and it means (loosely translated) nostalgic.
Hear a song on the radio that reminds you of your childhood? Natsukashii.
Taste a brand of sake that reminds you of your long-lost father? Natsukashii.
Read a great book that stirs up something intangible inside you? Natsukashii.
While Japanese writers are masters of this emotion, Murakami reigns supreme as one of the best. I can only imagine how stressful writing Norwegian Wood must have been, having to tug on his own heart strings every day for months on end, because every page is heavy with the feeling of love and loss.
Every single page of Norwegian Wood demonstrates Murakami’s adeptness at summoning nostalgia. The scenes feel much more real because they are given room to develop on its own. This space allows natsukashii, and intense and painful longing, to develop.
2. Juxtaposition – a tapestry more beautiful than life
I say tapestry because novels resemble tapestries more than an actual snapshot of life. Norwegian Wood lends itself well to having slices from different times fixed side-by-side because of the nature of the narrative itself: an older man looking back on his past.
There’s also the fact that many times in this book, there have been two successive scenes that are basically polar opposites and are very jarring and unusual being put close together. One is about death, the other about life. One about love and loss, the other about love and gain. One is massive, the other is minuscule. Minutiae side-by-side with a life-altering event.
3. Furnishing gaps with jewels
Murakami’s writing style in Norwegian Wood is very sparse, minimalist, and heavily reliant on the reader filling in their own meaning, reading, and picture of the scenes and characters. Nothing is overwrought. Everything is understated. So much so that many readers could easily glide over the pages and miss the meaning.
These gaps are tremendous for creating the kind of narrative that slowly slips under your skin and into your soul, rather than one that batters at the door and is refused entry. It’s like a smack addiction. You don’t know you’re hooked until you are too deep to doing anything about it.
These gaps are also great because every now and then he introduces a couple of concrete details that glimmer like jewels in the narrative. They stand out and are all the more poignant because these details have clearly being chosen specifically to stand out. They have broken free from the mire of subtlety and understatement and they pierce you to the core.
One such moment in which Murakami introduces rare concrete details is after Kizuki’s suicide, when Toru goes to university for the first time. We’ve just been told that Kizuki fed a gas pipe into his N-360 car and taped the window shut. After that, the scene is swept over, as though the thought is too difficult to bear. But some details escape free. Details that make chills run over your arms. Details like this:
“There was only one thing for me to do when I started my new life in the dorm: stop taking everything so seriously; establish a proper distance between myself and everything else. Forget about green baize pool tables and red N-360s and white flowers on school desks; about smoke rising from tall crematorium chimneys, and chunky paperweights in police interrogation rooms. “
We see the pool tables as vividly as Toru. We see the N-360 as vividly too. But we already knew these details and their significance. Then, completing the rule-of-three, Murakami offers another image, that of the white flowers on school desks. We are not told how the school handled the tragedy of Kizuki’s death. But we don’t need to be told. That image speaks volumes. Then we have more images with the smoke from the crematorium chimney and the paperweights in police interrogation rooms. Again, we are not told anything about these instances but we see a very clear progression with very little being said. We feel what the narrator wishes he could forget. And we feel it intimately.
4. Use of humour in tragedy
Something that always fascinated me about studying Shakespeare’s plays was that the tragedies were funnier than the comedies and the comedies were more tragic than the tragedies (right up until the final act that is). We actually see this in all great literature. Tragedies that are filled with doom and gloom from start to finish end up feeling farcical. We reject the tragic experience. It means nothing to us. Likewise, comedies need to have a lot of shit going wrong. In fact, a lot of sitcoms would work well as tragedies if it weren’t for their inane laughter tracks.
Murakami uses humour extremely well. He uses it to make the tragic more tragic and the poignant more poignant. Humour is also a very effective fastening rod for combining many of a work’s themes together. Take this one scene of dialogue for example between Toru and Midori that effectively combines comedy, tragedy, love, sex, poignant juxtaposition, nostalgia, and gaps for meaning to arise:
““Tell me, Watanabe,” Midori said, looking up at the dorm buildings, “do all the guys in here wank – rub-a-dub-dub?”
“Probably,” I said.
“Do guys think about girls when they do that?”
“I suppose so. I kind of doubt that anyone thinks about the stock market or verb conjugations or the Suez Canal when they wank. Nope, I’m pretty sure just about everybody thinks about girls.”
“The Suez Canal?”
“So I suppose they think about particular girls, right?”
“Shouldn’t you be asking your boyfriend about that?” I said. “Why should I have to explain stuff like this to you on a Sunday morning?”
“I was just curious,” she said. “Besides, he’d get angry if I asked him about stuff like that. He’d say girls aren’t supposed to ask all those questions.”
“A perfectly normal point of view, I’d say.”
Murakami has many such scenes like this to break up some of the angst and heartache that riddles the book. It’s interesting to note that he compartmentalises his comedic and tragic aspects. For example, when he wants to make you laugh, he’ll bring out Midori or he’ll let Toru tell an anecdote about his geeky roommate, dubbed Storm Trooper. This is a great technique to learn how to write humour effectively: anchor comedic moments to specific characters and symbols.
5. Sensuality – erotica writers take note!
I’m not the only one that finds most of the erotica books cringe-inducing. Just scroll through the reviews of some of the top sellers (most of which will disappear into oblivion within a fortnight) and you’ll see a common round of complaints: too much detail, too wooden characters, not enough build-up, and not enough believability.
Well, excuse my language but writing good sex is not like following a DIY instruction panel. Insert rod A into fixture B and screw until you hear a moist popping sound = GROSS.
Erotica readers do not just want a play-by-play of every minute detail. If they wanted that, they could find tons of that shit on the internet (seriously, open up a tab right now… I’ll wait) rather than fork over hard-earned money on a book. When it comes to writing effective erotica….What’s unsaid is more important than what is said. It’s the same in horror where you don’t see the bad guy until the end. Let the reader’s imagination take over. Everyone’s fantasy is different.
You need characters that have real emotions. It can be love. It can be hate. It can be jealousy, possessiveness, fear, boredom, disgust. But it can’t just be sex.
You need to have a build-up that is believable. Seriously, female protagonists shouldn’t go from straight-laced Christian girls to nymphomaniacs overnight. That’s a dirty deus ex-machina that serves only to heap up a big serving of forgettable and creepy description.
But Murakami’s Norwegian Wood totally handles these difficult themes of sensuality, love, and sex well. Murakami doesn’t ruin those by just throwing them down on the page without paying careful attention to atmosphere and character first. He does this by focusing on character. He focuses on real issues that real people deal with every day. Then when the scene comes, he introduces it and steps back.
7. Musical refrains
Study how Murakami consciously uses music as a refrain throughout Norwegian Wood. He continuously comes back to The Beatles, among many other musicians evocative of the time period, and he does this consciously in order to create a unity, a harmony, among the disparate memories told by the backwards-looking narrator, whilst also increasing the sense of nostalgia and longing.
Music, particularly The Beatles, stands as an important motif throughout the book with characters continuously paying to hear one another play ‘Norwegian Wood’, as though they’re also trying to return to a past or lose themselves in a symbol of hope.
8. Keeps the reader guessing
Throughout the entire book, the reader is left guessing as to which character Toru will eventually end up with: Naoko or Midori?
Murakami crafts this guessing game so expertly because, once again in the vein of ensuring that nothing is overwrought, it doesn’t even seem like a guessing game. It doesn’t even seem relevant to the story. This feels more like a side thought that we, the reader, are simply preoccupying ourselves with as we fly over the memories of Toru’s past.
It looks equally impossible that Toru will end up with either of these women. And for wildly different reasons. And yet he does.
Each reader will have a character that they are rooting for. The whole way through the book, I was rooting for Midori to be the one that Toru ends up with. It struck me about halfway through the book that a story without a character or cause to root for is not much of a story at all. And Murakami instils this emotion perfectly.
It is important to realise that Norwegian Wood was Murakami’s experimental novel. Even though it is the one that seems the most “normal” out of his oeuvre, this was the challenge Murakami issued himself. He wanted to write a straight novel and a bestseller just to prove to everyone else that he could. And did. The book is a worldwide bestseller. And the reason that although its the only book by him I have read, I have chosen Murakami as my favorite author.
Those are just a few reasons why Haruki Murakami is so great. Have you all heard of him? If yes, then what are your opinions? Which one of his books is your favorite? Comment down below and I would love to get some feedback about this!
Your friendly neighborhood bookworm,
P.S. Don’t forget to press that Like button if you wish to see more such content! I dont often do long reviews but this one made me go on and on…..lol
I always go about recommending my favorite books to people. Forcing and enticing them to read it. This is a habit, I believe, I share with most bookworms in the world. But have you ever thought what this favorite book of yours tells about you?
There’s this saying by Sigmund Freud. He said a lot of crazy things, but one of my personal favorites among his insights, is that the mind is like the city of Rome. Each age has its own architecture, its own monuments, built on top of those from the previous ages. But instead of knocking down those monuments to an older time and replacing them, the mind preserves each landmark. Some, like the Colosseum, are more obvious, while others are hidden in the shadows of Palatine Hill. Even more completely than Rome, each adult keeps the landscape of her childhood intact. If you want to understand that childhood landscape, the foundations on which a person’s life is built, ask her what her favourite books were as a child. Continue reading “What your favorite book tells about YOU?”
Ladies and gentlemen, today I present to y’all the case of the most celebrated and vilified Southern belle to ever grace the silver screen.
Now, depending upon where you fall in that camp–whether you revere the young woman in question, or cringe at the sound of her name–generally determines your opinion of the film that features her. I have met many a person who cannot bring him/herself to watch Gone With the Wind in full because they so detest the character of Scarlett O’Hara. And this is, to an extent, understandable. I recognize that an alienating character can contribute to one’s perception of the work in which he/she is featured.
But don’t let that stop you from enjoying one of the most entertaining spectacles in all of moviedom. Continue reading “Why I Love Scarlett O’Hara.”
Are you really so far away
That I cannot touch you,
And feel the crinkles of your sleeve
Underneath my fingers upon your arm?
Would you simply look around
And turn away again,
Not knowing that I talk
To you all by myself?
Even if you could listen,
And not hear a word;
Would you know that I’m
Just a little bit crazy?
Just a little bit crazy
With longing for you.
Goodbye 19, Hello 20! Is it me, or is time going faster? Is this a sign? Am I getting older? I am pretty sure the days and hours are just the same. However, I still feel as though there is NEVER ENOUGH TIME in a day or week to do what I need to do! (Rant Over) All joking aside 19 hasn’t been one of the best years of my life. However, it had its moments. I took a leap of faith this year, in blogging and sharing my weird thoughts with the world and ya know what? I am so glad I did.
Best friends make the good times better and the hard times easier.
Friends are the family that we choose ourselves.
Good friends are like stars, you don’t always see them but you know they are there.
True friendship isn’t being inseparable. It is being separated and nothing changes.
There are probably more than a million other quotes about friends and friendship. Instagram and Twitter feeds are literally over-flooded with pics of people posting ‘#Friends For Life!’. It gets annoying after a while, don’t you think? I mean, I understand you are friends, but no need to shove it into everyone’s face. Or is it just me? Continue reading “#Friends For Life???”
It is currently late Saturday night and I really really have to write about this. I have feels, people! And I dont know what they are. 😦 This is the most confused I have been about a story. I had been planning to read this for the past 2 days. So I figured I couldn’t wait anymore so I read all 16.5 chapters of this manhwa (it’s Korean so it’s not a manga) online and now I have to tell you all about it. I found out about “Killing Stalking” from Tumblr (it was actually a YouTuber, akidearest who recently posted about this, here, who managed to really evoke my interest) and basically all I knew was that the people who liked “Yuri on Ice!” had now turned their attention towards this gay Korean horror manhwa for whatever reason.(dat description tho…) Continue reading “Blood, Gore and….Romance?”
Ars Poetica. According to both Merriam and Webster, it means “a treatise on the art of literary and especially poetic composition.” And strictly speaking, in the Dead Language (that’s Latin to you), it means “the art of poetry.”
Many poems carry this title, and it is considered a rite of passage to write your own Ars Poetica. Thus, if you count yourself a poet and haven’t written one, you should. I know, I know. What a pain in the ars.
So to start, think of this: What should a poem be?
Done? OK. Then here’s better advice: Think of what a poem should not be. Chances are, brainstorming this way will lead you to thoughts most no one else has had while parsing and arsing this fabled beast called poetry.
Don’t believe me? Check out Archibald MacLeish’s go at it:
Ars Poetica by Archibald MacLeish
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